September 21, 2014No Comments

What I’m Reading – September 2014

I just finished reading On Web Typography, the most recent offering from the fine folks over at A Book Apart. As is usually the case with books from this publisher, the material is presented in a brief, accessible and delightful format. And of course, I'm happy to pass along the recommendation.

The author, Jason Santa Maria does an excellent job of bringing the reader to a slow boil. He takes the necessary time setting the stage, reminding us of the important role history plays in the development of typography as a discipline. And then, with the backdrop properly in place he begins unpacking the nitty-gritty details we designers really dig. He explores the mechanics of how we read. He looks at the role typography plays in cognition. And finally he shares valuable insight on the current state of typography in the digital age.

Jason's work is full of actionable advise and he is quick to point the reader toward valuable resources we can leverage to create better products. But most importantly, Jason manifesto serves as a needed reminder of the critical role typography plays in the crafting of quality customer experiences. As web designers we can often take for granted the type we're designing with. We can, if not careful, fall into the trap of designing around the copy and forgetting that it is integral to the design dynamic. This book acts as a good reset to combat that kind of foolishness.

Having come through a recent redesign over at the company dotcom, I'm painfully aware of how big a chore getting your type right can be. Trust me, we spent no small amount of time working, reworking and finally settling on a type design ecosystem that would successfully carry our message and our brand across multiple channels. And to be honest, after reading this, there are several things I'm gonna want to revisit.

Here's a quick takeaway quote that sums up nicely the author's philosophy on typography.:

[box type="shadow"]All of typography is based upon a reflexive relationship: the small things inform the big things, and the big things inform the small things. The sum of this give and take means the difference between beautiful and forgettable.[/box]

If you're interested in learning more about typography or just want some tips on how to take your type skills to the next level, give Jason's book a read. A summary article and exerpt from chapter 1 can be accessed over at A list Apart.

September 10, 2014No Comments

3 Marketing Lessons Learned From Fly Fishing

"To him, all good things — trout as well as eternal salvation — come by grace, and grace comes by art, and art does not come easy.”
Norman Maclean, A River Runs Through It

I remember the first time I saw someone fly fishing. I was 14 years old and visiting my grandparents who had a small house near a big river. I was playing in the backyard when I saw a figure walking effortless down the middle of the wide stream. I was mesmerized. He was always in motion. He fished like no one I’d ever seen before. Wielding a willowy rod, casting 40 feet of line effortlessly. With each cast he shimmered. He was, in every way, in tune with the river. It was lyrical. It was graceful. It was art. I was hooked!

Having spent 35 years wading ever deeper into the art and science of fly fishing, I’ve concluded that most of the lessons a man learns on the water are directly applicable to other areas of his life. Marketing is one of those areas. I’ve been a marketing professional for a long time and am continually reminded how much analogy exists between what I’m doing at work and what I’d prefer to be doing on the water. That’s a good thing, I suppose; it’s likely what keeps me from simply ditching the office and going fishing. Here are just a few of the marketing lessons I’ve learned from fly fishing:

Lesson Number 1: Identify and understand the target
I can try every fly in my box, try every tactic in the book, remain in-stream all day long and never catch a fish that isn’t there. You see, where you fish matters; when you fish matters. Different species live in different streams, eat different food, feed at different times. Spend your precious time fishing where they are not, and you’re sure to be frustrated. Yes, you can occasionally arrive at a new stretch of water, throw any old thing in, retrieve it with abandon and still catch a fish, but it’s a long shot and has much more to do with blind luck than with skill. And trust me, if you’re fishing for your dinner, you don’t want to rely on luck. The same is true when crafting email communications to a newly acquired list of prospects, or when pitching a new web product or service. We must invest time in getting to know our audience and in understanding their environments, their habits, their motivations – in short, what makes them click. Research psychographics and demographics, create personas and use cases. The more data uncovered and analyzed, the better the results. Guaranteed: The more you know about your customer (and your fish), the better chance you’ll have of finding them and connecting with them.

Lesson Number 2: Nothing beats direct observation
I continue to remind myself that only fools rush in. Thirty-five years of fly fishing and I still have every desire — once I’ve found a promising pool or stretch of water — to walk straight in and start casting. Call it eagerness. Call it impatience, but bottom line, I know better. I know from hundreds of previous experiences that such a clumsy, flat-footed approach never yields optimal results. Careful observation is the name of the game. Stopping shy of the pool or climbing to the nearest rise and scouting out the situation for 15 minutes will double my success, if I can just slow down and remember to do it. Marketing is no different. Even with access to the best education, latest research and anecdotal evidence, rushing in without stopping to read the current can often cost you big. I'm not recommending that, as marketers, we sit on the banks, paralyzed by fear of failure. Rather, we should take that moment to reflect on what experience has taught us, and assess what the current conditions call for. What is actually happening in the now may only be a shade different that what our instinct suggests, but better to know it before splashing our way through the pool and scattering our targets hither and yon. In short: Trust your gut and tap your experience, but don’t forget to check reality before committing to the cast. You rarely get second approaches to that perfect pool, or to that new customer.

Lesson Number 3: Test the waters — Welcome feedback — Iterate to optimize
Finding fish is only part of the quest. Once I’ve found them, I can make careful observation of feeding behavior and environmental nuances. And finally, I’m ready to act! And if I’m lucky (very lucky), I’ll have gotten all parts of the equation correct. But more likely I’ll be ready for the fun part, the part most people refer to as fishing. Fly fishing may look complicated, what with lots of Latin names and scientific jargon. But at its core, it’s iteration and optimization, plain and simple. Didn’t choose the right fly? Try another very similar in size and material. Float it a bit to the left, now to the right. Let it swing when it reaches the cross current. Give it a flutter. No luck? Switch flies. Try again. The same is true in nearly every aspect of marketing. Chances are good you’ll have made fine assumptions based on earlier research. No doubt your observations were worth the effort. But once a communication has been broadcast, it suddenly becomes very real. Customers’ real-time actions rarely match our expectations. Other factors come into play. Live environments are hectic, even chaotic, distractions are everywhere and they take our customer off task, causing them to act differently than our research suggested. Bottom line? You had better be ready to alter your approach to accommodate the change in the conditions. You’d best be ready to go with the flow. Past US President and prolific fly fisherman Herbert Hoover once said, "The gods do not deduct from man's allotted span the hours spent in fishing." I have to question if maybe, just maybe, that’s because, if we care to pay attention, we can learn so much about the rest of our lives from our time spent on the water. From what area of your personal life do you draw career principles?

Where do you find your passion and work overlapping? I encourage you to start looking for opportunities to connect your interests and work. It’s fun, rewarding and if we’re persistent, it can lead to better work, better products and a healthier outlook on our work-life balance.

August 27, 2014No Comments

Art Lesson #2: Shapes

This week's art lesson brought my daughter and I face to face with the elements of shape. For a quick recap of what the heck I'm talking about, please see last week's Art Lessons post where I explain the how and what to this madness.

According to Wikipedia; A shape is the form of an object or its external boundary, outline, or external surface, as opposed to other properties such as color, texture, material composition. Wow, it sounds kinda boring when ya say it that way. HLC and I took a bit more of a relaxed approach to our study. We explored the theory of course, but then we got busy actually making shapes by cutting construction paper into chunks of color. Then we begun laying them out to create a landscape concept.

PhotoHLC

Next we begun arranging the shapes to create a landscape concept. The assignment particulars required that we first chose a setting that stirred pleasing memories and evoked a sense of peacefulness. We both decided to craft a forest scene. Mine was of my favorite place to cast flies to monster trout, Smithgall Woods and Hannah's was of a patch of woods and walking path that meant something special to her. I didn't ask for details, I figured a girl deserves some secrets. Here's how they turned out.

Shape2

Pretty cool, huh. I'm really encouraged by just how much she and I are learning by taking this straight forward approach to the classic components of design. It's easy to see using this construction paper method as a perfect way to begin compositions for much larger painting. Or as a means unto it's on end as Matisse did in the 40's. Speaking of Matisse, HLC, my wife and I got to see some of his paper cut outs up close and personally this summer when we visited the MoMA. 

August 19, 2014No Comments

Art Lesson #1: Lines

I just finished my first art lesson in over 20 years – no, I didn't go back to school for my MFA – it's way better than that. My 7th grade daughter is being homeschooled this year and I've been awarded the extrem privilege of standing in as her art teacher. Here's the drill, we head out to the local beanery for a good cup of coffee and some lavender lemonade and spread out our sketch pads, pens and markers like we own the joint and then we start drawing. It's awesome. This go around we drew coffee mugs, eyeglasses, water bottles and just bout anything that wasn't nailed down.

So far the lessons are going great. We're using a text-book for general reference, and digging into the fundamental elements of art. Lesson #1 was all about lines. And even though I spend the better part of my 9-5 doing this art thing for a living, it was a lot of fun taking a step back and reading the material through fresh eyes.

Line drawing
Lesson #1 was all about line. Above is the blind contour drawing I did as a demo.

I think one of the neatest things about a project like this is that once you've committed time and energy to the study of something, even something you're technically familiar with, you start considering the subject matter with renewed vigor and eagerness. Reading through the material, prepping for the lesson and reliving the session during the subsequent days allowed me to experience the idea of lines all over again. I was looking for examples of line in the designs I was working on for clients, in logos I saw in passing, in TV commercials. I was acutely aware of  lines because I had been studying lines. It wasn't long before I was actively seeking new ways to explore line in my work. Viola, fresh perspective. Gotta love it when that happens.

This weeks lessons' coming up fast. I can't wait to see what we're going to discover this go round. Maybe this weeks lesson will be about shape or texture. Ain't learnin' awesome?

September 6, 2013No Comments

Spring Cleaning in the Fall

Well it's time to go through the camera roll and pull out all those random landscape shots I've taken over this past year. A culmination of those one-off moments when I see something and say to myself 'hey self, that would make a great painting'. Ah, the ease and directness of smartphones. But there's a downside (isn't there always?). I've come to realize just how easy is it to to snap that picture, put the phone back into your pocket and forget all about it. I haven't quite figured out just yet how to manage all those great pics and carve out the time it takes to turn those images into working sketches, drawings and paintings.

Now's as good a time as any to admit past failings and resolve to do better. I'm looking forward to working up a new schedule that has me either sketching or drawing twice a week. Going to try a couple of different approach – both morning and evening time slots. I tend to be a night owl when it comes to producing creative, but I'm not sure how that will play with my work schedule. Ah, if I could just do something about that dastardly commute. Hmm ... there's a thought. I could hire a chauffeur and sketch while in transit. Love it.

More to come.

Portfolio of Todd Chambers | Copyright © 2021 | wtoddchambers@gmail.com

Portfolio of W. Todd Chambers | Copyright © 2018 
 
wtoddchambers@gmail.com

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